I finished reading “The Wimp Anthropologist Goes to the Desert: I Wavered, and Became a Little More Free“ by anthropologist Kodai Konishi.
This book is packed with phrases I absolutely love. The opening is incredible: “Hey, Kodai. Don’t you think the whole world is made of wind?” I didn’t quite get it at first, but it felt powerful! (And as I read on, I started to understand.)
It completely flips the image of a “smart anthropologist” who elegantly unravels the secrets of hidden cultures. Instead, it’s a lighthearted “story” that doesn’t hide his failures or his “wimpiness” during fieldwork. The story begins when he leaves for India, prompted by his university mentor’s lecture: “Go savor the foreignness of the world to your heart’s content—let it toss you around and break who you are.” I love that it’s a journey not of “self-discovery,” but of “self-destruction.”
I couldn’t help but laugh at how he ended up holed up in his hotel room in 90s India because he was so terrified, and I appreciate that he wrote it all down. Through various encounters, he eventually reaches a village in the desert. At first, he’s welcomed, but after a week, everyone gets used to him and starts scolding him mercilessly. His belongings become like communal property, and no one ever says “thank you.” From rituals for slaughtering sheep to a witch doctor who treats cobra venom and midnight hunting (where only the author can’t see a thing because it’s so dark)—episode after episode of an unimaginable world kept me turning the pages. It’s also great as an anthropology book because he provides interpretations based on previous research for these events.
A key word in this book is “Anger.” I was deeply moved by how he derives a perspective for overcoming individual differences through the way anger is expressed in Indian society—both in being scolded and in getting angry.
” Cops vs. Thugs “
While I was working, I noticed that “Cops vs. Thugs“ (1975, directed by Kinji Fukasaku, screenplay by Kazuo Kasahara) was being live-streamed for free on an official YouTube channel. Even though I caught it halfway through, I couldn’t stop watching.
It’s a bromance movie about a “no-good cop” and a “no-good yakuza.” Re-watching it now, the direction and composition are just brilliant.
For example, the scene where the corrupt relationship between the police and the yakuza falls apart—the shift in the power balance through their verbal sparring is staged so dynamically with beautiful framing (and in a long take!). Also, the violent scene where they writhe around in blood to the BGM of the song “Konnichiwa Akachan(Hello Baby)” playing on TV is absolutely incredible. The “over-the-top” and intense facial acting by Bunta Sugawara and Hiroki Matsukata is just great.
Later, the novel “All the Light We Cannot See“ (Anthony Doerr), which my friend recommended, arrived. It’s a paperback as thick as a slice of Texas toast, so I’m a bit worried if I can finish it. Once I’m done reading, I’ll watch the Netflix series.
“The Bibi Files” “Vlny (WAVES)”
I saw a double feature of ” The Bibi Files ” and “Vlny (WAVES) ” at the Azumaza art house theater in Shiojiri. Both films tell the story of corrupt power that robs people of their freedom and the people who stand up to it. In ” The Bibi Files ,” Netanyahu teams up with an ultra-right-wing political party (a bunch of racists!) to maintain his power. It’s frightening to see similar developments in Japan recently. Those who seek to suppress the media through power label those who advocate freedom as “fascists,” as in Israel and Czechoslovakia in the 1960s.
The Azumaza manager introduced me to the film I was about to see before the screening, which I found to be a special touch at an art house theater. It seems it will continue for another 20 years. It was a rural movie theater, with a pornographic film playing next door. It was a weekday night. There were about five people in the audience. The experience of immersing myself in the story in the dark is always wonderful. I hope film culture continues forever. And may we be free.
Horror and Kindness
Some horror films just leave you feeling bad and then abandon you. They are certainly scary, but you're left feeling troubled after watching them. I think horror is a frightening yet gentle film because it is a way of finding a way to talk about things that could not be spoken about before.
There are too many books I want to read
I was reading a book I wanted to read, but before I knew it, my interest shifted and I was reading something else. This is how my unread books pile up. Last night, I read “The World Seen from the Natives’ Perspective” and “A Struggling Anthropologist in the Desert,” short stories from Spanish horror, one chapter at a time, before falling asleep. I had a strange dream where they all blended together.
I started dieting
I started dieting after people I hadn’t seen in a while told me I’d gotten “fat” at the film festival. I’m focusing on strength training and diet restriction. It’s really helpful that Gemini automatically creates my training menu. Kinni-kun’s YouTube videos are so informative. However, it seems Kinni-kun hasn’t updated his YouTube recently. I wonder what happened? I’m worried.
About the bath
Recently, I’ve been liking lukewarm water for the unfounded reason that it might be more effective to warm yourself to the core in lukewarm water over a long period of time than to soak in hot water. I think that after the sauna boom, long, slow, ultra-relaxing baths like lukewarm baths and carbonated springs will come.
Eddington
I watched Ari Aster’s “Eddington” at a late show.
Director Ari Aster’s film tries to portray terrifying situations so seriously that just watching it makes me feel depressed. It was really long. The first half was interesting, but at one point, I felt like it was a bit too much and I couldn’t get through it…