“Train Dreams”

I finally watched the film “Train Dreams” on Netflix, a title that had been on my mind for a while.
Set in early 20th-century America, it is the life story of a man born as an orphan who works as a seasonal laborer, laying tracks and logging forests.

The visuals, presented in a 3:2 aspect ratio, are stunning and immediately drew me in. The majestic trees and forests of Idaho, and the American laborers who fell them.

The protagonist, Robert, is a taciturn man who, despite being among those rugged workers, doesn’t exude a sense of “macho” bravado. He simply focuses on his seasonal work—laying railroads and clearing forests. He lives a modest life in a house he built himself with Gladys, the woman he fell in love with.

Yet, amidst that life, utterly irrational events repeatedly befall him and those around him. Racism, accidents, fires.
One never knows why these things happen. Robert is tossed about by life without ever finding the answers.

Perhaps it’s because they are cutting down 500-year-old giants, or perhaps because they have overlooked horrific racism…

That very “unknowability” feels like the essence of living itself.
Eventually, things become suspended in mid-air. I was deeply moved by the beauty of the story’s progression, finding something meaningful within that state of suspension.

Since the main setting is the forest, the depiction of the entanglement between humans and nature was superb.
The vast forest is described as something where “one cannot tell where it begins or where it ends,” which feels like the true essence of nature.
Because we find it impossible to accept the incomprehensible, we instinctively try to find beginnings and ends. And then, we lose our way.I watched the film wondering what it would feel like to truly let go of that habit.

The cinematography by Adolpho Veloso was so brilliant that I found myself following him on Instagram immediately.
As for the lead, Joel Edgerton—I kept thinking his face looked familiar, and then I realized he’s Uncle Owen from the “Star Wars” prequel trilogy! And Felicity Jones, who plays his wife, is Jyn Erso from “Rogue One: A Star Wars Story“!
I got excited all by myself, thinking, “This is basically a Star Wars spin-off!” Please do give it a watch.

Speaking of which, I heard that the Star Trek series are disappearing from Netflix. How irrational…
I was still in the middle of “Deep Space Nine”…

” Cops vs. Thugs “

While I was working, I noticed that Cops vs. Thugs (1975, directed by Kinji Fukasaku, screenplay by Kazuo Kasahara) was being live-streamed for free on an official YouTube channel. Even though I caught it halfway through, I couldn’t stop watching.

It’s a bromance movie about a “no-good cop” and a “no-good yakuza.” Re-watching it now, the direction and composition are just brilliant.

For example, the scene where the corrupt relationship between the police and the yakuza falls apart—the shift in the power balance through their verbal sparring is staged so dynamically with beautiful framing (and in a long take!). Also, the violent scene where they writhe around in blood to the BGM of the song “Konnichiwa Akachan(Hello Baby)”  playing on TV is absolutely incredible. The “over-the-top” and intense facial acting by Bunta Sugawara and Hiroki Matsukata is just great.

Later, the novel All the Light We Cannot See (Anthony Doerr), which my friend recommended, arrived. It’s a paperback as thick as a slice of Texas toast, so I’m a bit worried if I can finish it. Once I’m done reading, I’ll watch the Netflix series.

“The Bibi Files” “Vlny (WAVES)”

I saw a double feature of ” The Bibi Files ” and “Vlny (WAVES) ” at the Azumaza art house theater in Shiojiri. Both films tell the story of corrupt power that robs people of their freedom and the people who stand up to it. In ” The Bibi Files ,” Netanyahu teams up with an ultra-right-wing political party (a bunch of racists!) to maintain his power. It’s frightening to see similar developments in Japan recently. Those who seek to suppress the media through power label those who advocate freedom as “fascists,” as in Israel and Czechoslovakia in the 1960s.

The Azumaza manager introduced me to the film I was about to see before the screening, which I found to be a special touch at an art house theater. It seems it will continue for another 20 years. It was a rural movie theater, with a pornographic film playing next door. It was a weekday night. There were about five people in the audience. The experience of immersing myself in the story in the dark is always wonderful. I hope film culture continues forever. And may we be free.

Horror and Kindness

Some horror films just leave you feeling bad and then abandon you. They are certainly scary, but you're left feeling troubled after watching them. I think horror is a frightening yet gentle film because it is a way of finding a way to talk about things that could not be spoken about before.

Eddington

I watched Ari Aster’s “Eddington” at a late show.
Director Ari Aster’s film tries to portray terrifying situations so seriously that just watching it makes me feel depressed. It was really long. The first half was interesting, but at one point, I felt like it was a bit too much and I couldn’t get through it…

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